Photofacts; articles about photography, every day

From Course to Practice: My First Experience with Flash Compositing

From Course to Practice: My First Experience with Flash Compositing

| Rob Zwart | 103 views | 0 comments

Anyone who has seen Frederik Herregods' car photography course on Photofacts Academy knows the magic: perfectly lighting a car by walking around it with a flash and combining the photos later in Photoshop.

» read on (about 3 minutes)

10 Tips for Long Exposures

10 Tips for Long Exposures

| Nando Harmsen | 783 views | 0 comments

Photographing with long exposures gives your photo a different look. Simply using a long exposure because you can is pointless. It needs to serve a purpose. Are you going to use long exposures? I have 10 tips for you.

» read on (about 4 minutes)

Inspiration for Multiple Exposures

Inspiration for Multiple Exposures

| Nando Harmsen | 648 views | 0 comments

Taking multiple photos over one another is as old as photography itself. The digital world has only made it easier. Here is a selection of photos for inspiration.

» read on (about 3 minutes)

Sigma FP2 camera and new lenses with vintage character announced

Sigma FP2 camera and new lenses with vintage character announced

| Elja Trum | 418 views | 1 comment

Sigma has announced the new FP2, a compact full-frame mirrorless camera aimed at both photographers and filmmakers. The manufacturer is also introducing a new series of lenses that focuses on character rather than maximum sharpness.

» read on (about 3 minutes)

The Compressing Effect Does Not Exist

The Compressing Effect Does Not Exist

| Nando Harmsen | 539 views | 2 comments

A telephoto lens compresses distances. This is known as the compressing effect. The reality is a little more nuanced. In the end, the effect does not exist.

» read on (about 2 minutes)

A vertical or horizontal landscape photo - part 3

A vertical or horizontal landscape photo - part 3

| Nando Harmsen | 424 views | 0 comments

A horizontal photo is perfect for showing the vastness of a landscape. Especially if you present the photo as a panoramic crop. Sometimes you have to forget about the foreground.

» read on (about 1 minute)

Ambient and artificial light in macro photography

Ambient and artificial light in macro photography

| Nando Harmsen | 630 views | 0 comments

In this video by Courtney Victoria, it becomes clear how artificial light affects macro photography. She explains the difference in a calm and clear way, and how it can enhance your photo.

» read on (about 1 minute)

Macro with a crop sensor means more magnification

Macro with a crop sensor means more magnification

| Nando Harmsen | 849 views | 14 comments

Most macro lenses achieve 1:1 magnification. This means your subject is shown at the same size as it is in reality. Are you using a crop sensor? Then you get more magnification.

» read on (about 1 minute)

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Elja Trum

Elja Trum

Photofacts; everything to do with photography!

Would you like to take better photos and keep up with what is happening in photography? Photofacts publishes articles that teach you something about photography — from a product announcement to a practical shooting tip or a look at a website. Photofacts covers photography every day and is a hobby project of Elja Trum's that got out of hand. The articles are written by a team of volunteer authors. If you would enjoy writing one or more articles for Photofacts, do get in touch.More about Photofacts

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